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TWO:But before the dissolving action of Nominalism had become fully manifest, its ascendency was once more challenged; and this time, also, the philosophical impulse came from Constantinople. Greek scholars, seeking help in the West, brought with them to Florence the complete works of Plato; and these were shortly made accessible to a wider public through the Latin translation of Ficino. Their influence seems at first to have told in favour of mysticism, for this was the contemporary tendency to which they could be most readily affiliated; and, besides, in swinging back from Aristotle��s philosophy to the rival form of spiritualism, men��s minds naturally reverted, in the first instance, to what had once linked them together��the system of Plotinus. Thus Platonism was studied through an Alexandrian medium, and as the Alexandrians had looked at it, that is to say, chiefly under its theological and metaphysical aspects. As such, it became the accepted philosophy of the Renaissance;369 and much of what we most admire in the literature��at least the English literature��of that period, is directly traceable to Platonic influence. That the Utopia of Sir Thomas More was inspired by the Republic and the Critias is, of course, obvious; and the great part played by the ideal theory in Spenser��s Faery Queen, though less evident, is still sufficiently clear. As Mr. Green observes in his History of the English People (II., p. 413), ��Spenser borrows, in fact, the delicate and refined forms of the Platonic philosophy to express his own moral enthusiasm.... Justice, Temperance, Truth are no mere names to him, but real existences to which his whole nature clings with a rapturous affection.�� Now it deserves observation, as illustrating a great revolution in European thought, that the relation of Plato to the epic of the English Renaissance is precisely paralleled by the relation of Aristotle to the epic of mediaeval Italy. Dante borrows more than his cosmography from the Stagirite. The successive circles of Hell, the spirals of Purgatory, and the spheres of Paradise, are a framework in which the characters of the poem are exhibited, not as individual actors whom we trace through a life��s history, but as types of a class and representatives of a single mental quality, whether vicious or virtuous. In other words, the historical arrangement of all previous poems is abandoned in favour of a logical arrangement. For the order of contiguity in time is substituted the order of resemblance and difference in idea. How thoroughly Aristotelian, indeed, were the lines within which mediaeval imagination moved is proved by the possibility of tracing them in a work utterly different from Dante��s��the Decameron of Boccaccio. The tales constituting this collection are so arranged that each day illustrates some one special class of adventures; only, to make good Aristotle��s principle that earthly affairs are not subject to invariable rules, a single departure from the prescribed subject is allowed in each decade; while370 during one entire day the story-tellers are left free to choose a subject at their own discretion.

TWO:Brewster mumbled out of a towel that he guessed they were all right, and implied what the dickens did it matter to him how they were.

TWO:And when he made his landing, perfectly setting down on wheels and tail-skid as Jeff had taught him, ��I wish all my pupils were like him,�� said a flying instructor who had been watching. Larry, doffing his tight ��crash�� helmet, overheard.[81]

TWO:��He��s in the house��doing what?�� he wondered.

TWO:

TWO:The adjutant agreed reluctantly. "I think there is. It wouldn't surprise me if some one had been talking. I can't get at it. But you must not bother about it. It will blow over."

TWO:��I hear Larry��s been getting instruction off that-there Tom Larsen,�� Jeff turned suddenly on Sandy.The major told him a little reluctantly. "Well, it's this, then: Brewster will not, or cannot, defend your conduct in the matter of the San Tomaso volunteers."

TWO:To avoid being sighted and identified when passing the amphibian, the airplane must cut inland instead of making a beeline for the golf course."I am far from being sure that that is entirely to be desired, very far," said Cairness, with conviction. He had never ceased to feel a certain annoyance at[Pg 319] the memory of that year and a half of Felipa's life in which he had had no part.